Saturday, February 25, 2012

Friday, February 24th, 2012



A couple shots from some recent shoots!


Namaste,

I had to let Boomer out at 3:39 and so I decided to start working.... I thought If I got ahead of the game I could get out on time. Sherrie, Trey and I had dinner plans at 5:30. So, Yeah.... Get up early bust out all the morning reports and work through the new stuff, and BOOM! Get out on time! HAHAHA! Not gonna happen! I got to work and all heck broke lose. I had forgotton we had our Monthly Operational Review call at 11:00 am. I had to get my numbers together and then get on the call. We did well, but I got beat up on our census for January. The funny thing is our budgeted number is higher than we can attain due to our infection control policy. So essentially if we have 31 beds but the state say's we can only have two patients in our unit, because of it's design, then we have four patients with multi-drug-resistant- organisms..... How can you hold me accountable to an inflated number? Well the answer is.... "Too Bad!" It really went pretty good! Anyway... The afternoon got busy with running around like a chicken with my head cut-off. We were suppose to get three admits and never got orders on two of them so they will be coming today! We got a cll at stright up 5:00 and there was a patient that one of our big hospitals was trying to force on us. The patient was on some VERY high cost meds, and I needed to get approval from my boss on bringing this patient in. I dedcided to put it on hold until Monday... On my way home my boss call and said that was the right decision! Sherrie and Trey ended up going to Steve's Rib and I met them there. I had a chicken sandwich and then we came home! We usually go to the grocerie store on Friday nights, but I just didn't have any energy. We came home and as soon as I sat down I fell asleep! It was a long day! I am getting ready to go ride for a while, then have to run to the office, meet my friend Ivy and her sister for lunch to discuss a photoshoot, run to the outlet mall and get a pair of jeans and then run to El Reno to pick-up my lawn trailer from my brothers house! Soooooo pretty busy day!  I am attaching another section from our upcoming France trip! 52 and partly cloudy in Paris!

Love you all!

Mat

Place de la Concorde

The Place was designed by Ange-Jacques Gabriel in 1755 as a moat-skirted octagon between the Champs-Élysées to the west and the Tuileries Gardens to the east. Decorated with statues and fountains, the area was named Place Louis XV to honor the king at that time. The square showcased an equestrian statue of the king, which had been commissioned in 1748 by the city of Paris, sculpted mostly by Edmé Bouchardon, and completed by Jean-Baptiste Pigalle after the death of Bouchardon. The stone is made of a combination of lime and blue stone. The chemical compounds have let it survive for so long under acid rain. At the north end, two magnificent identical stone buildings were constructed. Separated by the rue Royale, these structures remain among the best examples of Louis XV style architecture. Initially, the eastern building served as the French Naval Ministry. Shortly after its construction, the western building became the opulent home of the Duc d'Aumont. It was later purchased by the Comte de Crillon, whose family resided there until 1907. The famous luxury Hôtel de Crillon, which currently occupies the building, took its name from its previous owners; it was the headquarters of the German High Command during World War II. During the French Revolution the statue of Louis XV of France was torn down and the area renamed "Place de la Révolution". The new revolutionary government erected the guillotine in the square, and it was here that King Louis XVI was executed on 21 January 1793. Other important figures guillotined on the site, often in front of cheering crowds, were Queen Marie Antoinette, Princess Élisabeth of France, Charlotte Corday, Madame du Barry, Georges Danton, Camille Desmoulins, Antoine Lavoisier, Maximilien Robespierre, Louis de Saint-Just and Olympe de Gouge. The guillotine was most active during the "Reign of Terror", in the summer of 1794, when in a single month more than 1,300 people were executed. A year later, when the revolution was taking a more moderate course, the guillotine was removed from the square. The execution of Louis XVI in the then Place de la Révolution. The empty pedestal in front of him had supported a statue of his grandfather, Louis XV, torn down during one of the many revolutionary riots.The square was then renamed Place de la Concorde under the Directory as a symbolic gesture of reconciliation after the turmoil of the French Revolution. It underwent a series of name changes in the nineteenth century, but the city eventually settled on Place de la Concorde.
Features
• To the west of the Place is the famous Champs-Élysées.
• To the east of the Place are the Tuileries Gardens. The Galerie nationale du Jeu de Paume and the Musée de l'Orangerie, both in the Tuileries Gardens, border the Place
• North of the Place: two identical stone buildings, separated by the Rue Royale. The eastern one houses the French Naval Ministry, and the western one is the Hôtel de Crillon. The Rue Royale leads to the Église de la Madeleine. The Embassy of the United States is located in the corner of the Place at the intersection of Avenue Gabriel and Rue Boissy d'Anglas
• The northeastern corner of the Place is the western end of the Rue de Rivoli
• South of the Place: the River Seine, crossed by the Pont de la Concorde, built by Jean-Rodolphe Perronnet between 1787–1790 and widened in 1930-1932. The Palais Bourbon, home of the French National Assembly, is across the bridge, on the opposite bank of the river
• At each of the eight angles of the octagonal Place is a statue, initiated by architect Jacques-Ignace Hittorff, representing a French city:
o Brest and Rouen by Jean-Pierre Cortot
o Lyon and Marseille by Pierre Petitot
o Bordeaux and Nantes by Louis-Denis Caillouette
o Lille and Strasbourg by James Pradier. After the Franco-Prussian War of 1870-1871, when Alsace-Lorraine was lost to Germany, the Strasbourg statue was covered in black mourning crepe on state occasions,[1] and was often decorated with wreaths; this practice did not end until France regained the region following World War I.The Obelisk of Luxor stands on top on a pedestal that recounts the special machinery and manœuvres that were used to transport it.The center of the Place is occupied by a giant Egyptian obelisk decorated with hieroglyphics exalting the reign of the pharaoh Ramses II. It is one of two the Egyptian government gave to the French in the nineteenth century. The other one stayed in Egypt, too difficult and heavy to move to France with the technology at that time. In the 1990s, President François Mitterrand gave the second obelisk back to the Egyptians. The obelisk once marked the entrance to the Luxor Temple. The Ottoman viceroy of Egypt, Mehmet Ali, offered the 3,300-year-old Luxor Obelisk to France in 1829. It arrived in Paris on 21 December 1833. Three years later, on 25 October 1836, King Louis Philippe had it placed in the center of Place de la Concorde, where a guillotine used to stand during the Revolution.The obelisk, a red granite column, rises 23 metres (75 ft) high, including the base, and weighs over 250 metric tons (280 short tons). Given the technical limitations of the day, transporting it was no easy feat — on the pedestal are drawn diagrams explaining the machinery that was used for the transportation. The obelisk is flanked on both sides by fountains constructed at the time of its erection on the Place.
Early morning on 1 December 1993, the French AIDS fighting society Act Up Paris carried out a fast and unwarned commando-style operation. A giant pink condom was unrolled over the whole monument.Missing its original cap, believed stolen in the 6th century BC, the government of France added a gold-leafed pyramid cap to the top of the obelisk in 1998. Without warning, in 2000 French urban climber Alain "Spiderman" Robert, using only his bare hands, climbing shoes and no safety devices, scaled the obelisk all the way to the top.Fountain of River Commerce and Navigation (1840) with the Eiffel Tower in the background.The two fountains in the Place de la Concorde have been the most famous of the fountains built during the time of Louis-Philippe, and came to symbolize the fountains in Paris. They were designed by Jacques-Ignace Hittorff, a student of the Neoclassical designer Charles Percier at the École des Beaux-Arts. The German-born Hittorff had served as the official Architect of Festivals and Ceremonies for the deposed King, and had spent two years studying the architecture and fountains of Italy.Hittorff's two fountains were on the theme of rivers and seas, in part because of their proximity to the Ministry of Navy, and to the Seine. Their arrangement, on a north-south axis aligned with the Obelisk of Luxor and the Rue Royale, and the form of the fountains themselves, were influenced by the fountains of Rome, particularly Piazza Navona and the Piazza San Pietro, both of which had obelisks aligned with fountains. Both fountains had the same form: a stone basin; six figures of tritons or naiads holding fish spouting water; six seated allegorical figures, their feet on the prows of ships, supporting the pedestal, of the circular vasque; four statues of different forms of genius in arts or crafts supporting the upper inverted upper vasque; whose water shot up and then cascaded down to the lower vasque and then the basin. The north fountain was devoted to the Rivers, with allegorical figures representing the Rhone and the Rhine, the arts of the harvesting of flowers and fruits, harvesting and grape growing; and the geniuses of river navigation, industry, and agriculture.The south fountain, closer to the Seine, represented the seas, with figures representing the Atlantic and the Mediterranean; harvesting coral; harvesting fish; collecting shellfish; collecting pearls; and the geniuses of astronomy, navigation and commerce.ferences in popular culture
In the Star Trek universe, the Place de la Concorde is the location of the offices of the President of the United Federation of Planets.
In The Devil Wears Prada, Andrea Sachs throws her phone into one of the Fontaines de la Concorde.In the Maximum Ride series (book), the seventh book, ANGEL, includes the Place de la Concorde as a rally area to a crime organization known as the Doomsday Group.In Tom Clancy's Endwar the Place de la Concorde is across the bidge from the spawn point and is a major firefight zone. The zone is also showcased in the trailer, russians use the square for cover and the Luxor Obelisk is heavily damaged. Later in the trailer a transport aircraft crashes in the center of the square. In the end a missle lands in the background and destroys the square.

Champs-Élysées
Description
The avenue runs for 1.91 km (1.18 mi) through the 8th arrondissement in northwestern Paris, from the Place de la Concorde in the east, with the Obelisk of Luxor,[3] to the Place Charles de Gaulle (formerly the Place de l'Étoile) in the west, location of the Arc de Triomphe. The Champs-Élysées forms part of the Axe historique.One of the principal tourist destinations in Paris, the lower part of the Champs-Élysées is bordered by greenery (Carré Marigny) and by buildings such as the Théâtre Marigny and the Grand Palais (containing the Palais de la Découverte). The Élysée Palace is slightly to the north, but not on the avenue itself. Further to the west, the avenue is lined with cinemas, cafés and restaurants, and luxury specialty shops. The Champs-Élysées ends at the Arc de Triomphe, built by Napoleon Bonaparte to honour his victories. The Champs-Élysées was originally fields and market gardens, until 1616, when Marie de Medici decided to extend the axis of the Tuileries Garden with an avenue of trees. As late as 1716, Guillaume Delisle's map of Paris shows that a short stretch of roads and fields and market garden plots still separated the grand axe of the Tuileries gardens from the planted "Avenue des Thuilleries," which was punctuated by a circular basin where the Rond-point des Champs-Élysées stands today; already it was planted with some avenues of trees to the Seine river through woods and fields. In 1724, the Tuileries Garden axis and the avenue were connected and extended, leading beyond the Place de l'Étoile; the "Elysian Fields" were open parkland flanking it, soon filled in with bosquets of trees formally planted in straight rank and file. To the east, the unloved and neglected "Vieux Louvre" (as it is called on the maps), still hemmed in by buildings, was not part of the axis. In a map of 1724, the Grande Avenue des Champs-Elisée stretches west from a newly-cleared Place du Pont Tournant soon to be renamed for Louis XV and now the Place de la Concorde. By the late 18th century, the Champs-Élysées had become a fashionable avenue; the bosquet plantings on either side had thickened enough to be given formal rectangular glades (cabinets de verdure). The gardens of houses built along the Faubourg Saint-Honoré backed onto the formal bosquets. The grandest of them was the Élysée Palace. A semicircle of house-fronts now defined the north side of the Rond-Point. Queen Marie Antoinette drove with her friends and took music lessons at the grand Hôtel de Crillon on the Place Louis XV.[4] The avenue from the Rond-Point to the Étoile was built up during the Empire. The Champs-Élysées itself became city property in 1828, and footpaths, fountains, and gas lighting were added. Over the years, the avenue has undergone numerous transitions, most recently in 1994, when the sidewalks were widened.The Avenue des Champs-Élysées, because of its size and proximity to several Parisian landmarks such as the Arc de Triomphe, has been the site of several notable military parades, the most infamous being the march of German troops celebrating the Fall of France on 14 June 1940, and the two most famous, the subsequent marches of Free French and American forces after the liberation of the city, respectively, the French 2nd Armored Division on 26 August 1944, and the US 28th Infantry Division on 29 August 1944.
Premier offices and retail In 1860, the merchants along the avenue joined together to form the Syndicat d'Initiative et de Défense des Champs-Élysées, changed to an association in 1916 to promote commercially the avenue. In 1980, the group changed its name to the Comité des Champs-Élysées and to "Comité Champs-Élysées" in 2008. It is the oldest standing committee in Paris. The committee has always dedicated itself to seek public projects to enhance the avenue's unique atmosphere, and to lobby the authorities for extended business hours and to organize special events. Today, the committee in coordination with other professional organisations could review with the Parisian administration over the addition of new business which size is over 1000 square meters to the avenue.Because of the high rents, few people live on the Champs-Élysées; the upper stories tend to be occupied by offices. Rents are particularly high on the north side of the avenue, because of better exposure to sunlight. The baroque-influenced regular architecture of the grandiose Champs-Élysées is typical of the Haussmann boulevard architecture of the Second Empire and Third Republic. The avenue is located right next to the Palais de l'Élysée, the presidential palace, with its rounded gate, and the Grand Palais, erected in the late 19th century. While walking among the gardens and tree-lined promenades one can even encounter an open-air marionette theatre for children, a French tradition popular through the ages.The avenue is also one of the most famous streets in the world for upscale shopping. Adidas, Benetton, the Disney Store, Nike, Zara, Cartier, Bel Air Fashion, Toyota, continental Europe's largest Gap, and Sephora occupy major spaces.[5] Traditionally home to popular brands, as well as luxury brands Louis Vuitton, Hugo Boss, Lancel, Guerlain, Lacoste, Hôtel de la Païva, Élysée Palace and Fouquet's, the Avenue des Champs-Élysées confirms its world-class appeal as a prime real estate location: it has lately seen the opening of new big upscale shops such as the biggest Adidas store in the world.The arrival of global chain stores in recent years has strikingly changed its character, and in a first effort to stem these changes, the City of Paris (which has called this trend "banalisation") decided in 2007 to prohibit the Swedish clothing chain H&M from opening a store on the avenue,[5] however an H&M store has been open since 6 October 2009.[6] In 2008, American clothing chain Abercrombie & Fitch was given permission to open a store. Every year on Bastille Day, the largest military parade in Europe passes down the Champs-Élysées, reviewed by the President of the Republic.[8]
Every year during Advent, Christmastide, and Epiphany, the 'Champs-Élysées' Committee contribute for the Holidays seasons lighting of the Champs-Élysées. This generally occurs from late November until early January. The 2007 lighting of the Champs-Élysées was very successful, with lighting tubes which acted like snow falling from the trees.
Since 1975, the last stage of the Tour de France has finished on the Champs-Élysées, with riders typically making six to eight circuits back and forth on the avenue, with a furious final sprint. The subsequent awards ceremony also takes place directly on the Avenue.
Huge and spontaneous gatherings occasionally take place on the Champs-Élysées in celebration of popular events, such as New Year's Eve, or when France won the 1998 FIFA World Cup.

Arc de Triomphe
Arc de Triomphe (Arc de Triomphe de l'Étoile) is one of the most famous monuments in Paris. It stands in the centre of the Place Charles de Gaulle (originally named Place de l'Étoile), at the western end of the Champs-Élysées.[3] There is a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. The Arc de Triomphe (in English: "Triumphal Arch") honours those who fought and died for France in the French Revolutionary and the Napoleonic Wars, with the names of all French victories and generals inscribed on its inner and outer surfaces. Beneath its vault lies the Tomb of the Unknown Soldier from World War I.
The Arc de Triomphe is the linchpin of the historic axis (Axe historique) – a sequence of monuments and grand thoroughfares on a route which goes from the courtyard of the Louvre, to the Grande Arche de la Défense. The monument was designed by Jean Chalgrin in 1806, and its iconographic program pitted heroically nude French youths against bearded Germanic warriors in chain mail. It set the tone for public monuments, with triumphant patriotic messages. The monument stands 50 metres (164 ft) in height, 45 m (148 ft) wide and 22 m (72 ft) deep. The large vault is 29.19 m (95.8 ft) high and 14.62 m (48.0 ft) wide. The small vault is 18.68 m (61.3 ft) high and 8.44 m (27.7 ft) wide. It is the second largest triumphal arch in existence (after Arch of Triumph in Pyongyang).[4] Its design was inspired by the Roman Arch of Titus. The Arc de Triomphe is so colossal that three weeks after the Paris victory parade in 1919, (marking the end of hostilities in World War I), Charles Godefroy flew his Nieuport biplane through it, with the event captured on newsreel.The Arc is located on the right bank of the Seine at the centre of a dodecagonal configuration of twelve radiating avenues. It was commissioned in 1806 after the victory at Austerlitz by Emperor Napoleon at the peak of his fortunes. Laying the foundations alone took two years and, in 1810, when Napoleon entered Paris from the west with his bride Archduchess Marie-Louise of Austria, he had a wooden mock-up of the completed arch constructed. The architect, Jean Chalgrin, died in 1811 and the work was taken over by Jean-Nicolas Huyot. During the Bourbon Restoration, construction was halted and it would not be completed until the reign of King Louis-Philippe, between 1833 and 1836, by the architects Goust, then Huyot, under the direction of Héricart de Thury. On 15 December 1840, brought back to France from Saint Helena, Napoleon's remains passed under it on their way to the Emperor's final resting place at the Invalides.[8] Prior to burial in the Panthéon, the body of Victor Hugo was exposed under the Arc during the night of 22 May 1885.The sword carried by the Republic in the Marseillaise relief broke off on the day, it is said, that the Battle of Verdun began in 1916. The relief was immediately hidden by tarpaulins to conceal the accident and avoid any undesired ominous interpretations[citation needed]. On 7 August 1919, Charles Godefroy successfully flew his biplane under the Arc.[9] Jean Navarre was the pilot who was tasked to make the flight, but he died on 10 July 1919 when he crashed near Villacoublay while training for the flight.Following its construction, the Arc de Triomphe became the rallying point of French troops parading after successful military campaigns and for the annual Bastille Day Military Parade. Famous victory marches around or under the Arc have included the Germans in 1871, the French in 1919, the Germans in 1940, and the French and Allies in 1944[10] and 1945. A United States postage stamp of 1945 shows the Arc de Triomphe in the background as victorious American troops march down the Champs-Élysées and U.S. airplanes fly overhead on 29 August 1944. After the interment of the Unknown Soldier, however, all military parades (including the aforementioned post-1919) have avoided marching through the actual arch. The route taken is up to the arch and then around its side, out of respect for the tomb and its symbolism. Both Hitler in 1940 and de Gaulle in 1944 observed this custom. By the early 1960s, the monument had grown very blackened from coal soot and automobile exhaust, and during 1965–1966 it was cleaned through bleaching.In the prolongation of the Avenue des Champs-Élysées, a new arch, the Grande Arche de la Défense, was built in 1982, completing the line of monuments that forms Paris's Axe historique. After the Arc de Triomphe du Carrousel and the Arc de Triomphe de l'Étoile, the Grande Arche is the third arch built on the same perspective.The astylar design is by Jean Chalgrin (1739–1811), in the Neoclassical version of ancient Roman architecture (see, for example, the triumphal Arch of Titus). Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe: Jean-Pierre Cortot; François Rude; Antoine Étex; James Pradier and Philippe Joseph Henri Lemaire. The main sculptures are not integral friezes but are treated as independent trophies applied to the vast ashlar masonry masses, not unlike the gilt-bronze appliqués on Empire furniture. The four sculptural groups at the base of the Arc are The Triumph of 1810 (Cortot), Resistance and Peace (both by Antoine Étex) and the most renowned of them all, Departure of the Volunteers of 1792 commonly called La Marseillaise (François Rude). The face of the allegorical representation of France calling forth her people on this last was used as the belt buckle for the honorary rank of Marshal of France. Since the fall of Napoleon (1815), the sculpture representing Peace is interpreted as commemorating the Peace of 1815. In the attic above the richly sculptured frieze of soldiers are 30 shields engraved with the names of major Revolutionary and Napoleonic military victories.[11] The inside walls of the monument list the names of 660 people, among which are 558 French generals of the First French Empire;[12] the names of those who died in battle are underlined. Also inscribed, on the shorter sides of the four supporting columns, are the names of the major victorious battles of the Napoleonic Wars. The battles that took place in the period between the departure of Napoleon from Elba to his final defeat at Waterloo are not included.There was at the top of the Arc from 1882 to 1886, a monumental sculpture of Alexandre Falguière, "Le triomphe de la Révolution" (the Triumph of the Revolution), a chariot drawn by horses preparing "to crush Anarchy and Despotism", that remained only four years up there before falling in ruins.Inside the monument, a new permanent exhibition conceived by the artist Maurice Benayoun and the architect Christophe Girault opened in February 2007.[13] The steel and new media installation interrogates the symbolism of the national monument, questioning the balance of its symbolic message during the last two centuries, oscillating between war and peace. The Unknown Soldier Tomb of the Unknown Soldier beneath the Arc de Triomphe, Paris Beneath the Arc is the Tomb of the Unknown Soldier from the WW1. Interred here on Armistice Day 1920,[14] it has the first eternal flame lit in Western and Eastern Europe since the Vestal Virgins' fire was extinguished in the fourth century. It burns in memory of the dead who were never identified (now in both World Wars). According to a 2008 television programme, presented by Griff Rhys Jones, “the flame has only been extinguished once, by a drunken Mexican football supporter on the night that France beat Brazil here in Paris,”[15] most likely referring to the 1998 FIFA World Cup Final.
A ceremony is held Tomb of the Unknown Soldier every 11 November on the anniversary of the armistice signed between France and Germany in 1918. It was originally decided on 12 November 1919 to bury the unknown soldier's remains in the Panthéon, but a public letter-writing campaign led to the decision to bury him beneath the Arc de Triomphe. The coffin was put in the chapel on the first floor of the Arc on 10 November 1920, and put in its final resting place on 28 January 1921. The slab on top carries the inscription ICI REPOSE UN SOLDAT FRANÇAIS MORT POUR LA PATRIE 1914–1918 ("Here lies a French soldier who died for the fatherland 1914–1918").
In 1961, President John F. Kennedy and First Lady Jacqueline Kennedy of the United States paid their respects at the Tomb of the Unknown Soldier, accompanied by French President Charles de Gaulle. After the 1963 assassination of President Kennedy, Mrs Kennedy remembered the eternal flame at the Arc de Triomphe and requested that an eternal flame be placed next to her husband's grave at Arlington National Cemetery in Virginia. President Charles de Gaulle went to Washington to attend the state funeral, and witnessed Jacqueline Kennedy lighting the eternal flame that had been inspired by her visit to France. The Arc de Triomphe is located on Paris's Axe historique, a large perspective that runs from the Louvre to the Arche de la Défense.
• The four main sculptures of the monument are:
• Le Départ de 1792' (or La Marseillaise), by François Rude
• Le Triomphe de 1810, by Jean-Pierre Cortot
• La Résistance de 1814, by Antoine Étex
• La Paix de 1815, by Antoine Étex

The Arc de Triomphe is accessible by the RER and Métro, with exit at the Charles de Gaulle—Étoile station. Because of heavy traffic on the roundabout of which the Arc is the centre, it is recommended that pedestrians use one of two underpasses located at the Champs Élysées and the Avenue de la Grande Armée.A lift will take visitors almost to the top – to the attic, where there is a small museum which contains large models of the Arc and tells its story from the time of its construction. 46 steps remain to climb in order to reach the top, the terrasse, from where one can enjoy a panoramic view of Paris.

Les Invalides

Les Invalides (French pronunciation: [lezɛ̃valid]), officially known as L'Hôtel national des Invalides (The National Residence of the Invalids), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine, as well as the burial site for some of France's war heroes, notably Napoleon Bonaparte (lists below).
ContentsLouis XIV ordering the construction of Les Invalides
Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The selected site was in the then suburban plain of Grenelle (plaine de Grenelle). By the time the enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards, the largest being the cour d'honneur ("court of honour") for military parades. It was then felt that the veterans required a chapel. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant's designs after the elder architect's death. The chapel is known as Église Saint-Louis des Invalides. Daily attendance was required.Shortly after the veterans' chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature (see gallery). Inspired by St. Peter's Basilica in Rome the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. Mansart raised its drum with an attic storey over its main cornice, and employed the paired columns motif in his more complicated rhythmic theme. The general programme is sculptural but tightly integrated, rich but balanced, consistently carried through, capping its vertical thrust firmly with a ribbed and hemispherical dome. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.The interior of the dome (see gallery) was painted by Le Brun's disciple Charles de La Fosse with a Baroque illusion of space (sotto in su) seen from below. The painting was completed in 1705.The north front of the Invalides: Mansart's dome above Bruant's pedimented central block On the north front of Les Invalides (illustration, right) Hardouin-Mansart's chapel dome is large enough to dominate the long façade, yet harmonizes with Bruant's door under an arched pediment. To the north, the courtyard (cour d'honneur) is extended by a wide public esplanade (Esplanade des Invalides) where the embassies of Austria and Finland are neighbours of the French Ministry of Foreign Affairs, all forming one of the grand open spaces in the heart of Paris. At its far end, the Pont Alexandre III links this grand urbanistic axis with the Petit Palais and the Grand Palais. The Pont des Invalides is next, downstream the Seine river. The Hôpital des Invalides spurred William III of England to emulation, in the military Greenwich Hospital of 1694.The buildings still comprise the Institution Nationale des Invalides [2], a national institution for disabled war veterans. The institution comprises:
• a retirement home
• a medical and surgical centre
• a centre for external medical consultations.
The most notable tomb at Les Invalides is that of Napoleon Bonaparte (1769–1821). Napoleon was initially interred on Saint Helena, but King Louis-Philippe arranged for his remains to be brought to France in 1840, an event known as le retour des cendres. Napoléon's ashes were first buried in the Chapelle Saint-Jérôme in the Invalides until his final resting place, a tomb made of red quartzite and resting on a green granite base, was finished in 1861. Some members of Napoleon's family, several military officers who served under him, and other French military heroes are also buried at Les Invalides:
• Henri Gratien, Comte Bertrand (1773–1844), army general during the First French Empire who accompanied Napoleon to Elba and then St Helena. He brought Napoleon's body back to France in 1840.
• Joseph Bonaparte (1768–1844), Napoleon's elder brother.
• Jérôme Bonaparte (1784–1860), Napoleon's youngest brother.
• Napoleon II (1811–1832) son of Napoleon.
• Thomas Bugeaud (1784–1849), Marshal of France and conqueror of Algeria.
• François Canrobert (1809–1895), Marshal of France.
• Geraud Duroc (1774–1813), general who fought with Napoleon.
• Claude Joseph Rouget de Lisle (1760–1836), army captain, author of France's national anthem, La Marseillaise.
• Ferdinand Foch (1851–1929), Marshal of France, Allied Supreme Commander in the First World War.
• Henri de la Tour d'Auvergne, Vicomte de Turenne (1611–1675), better known as Turenne, Marshal General of France under Louis XIV and one of France's greatest military leaders.
• Sébastien Le Prestre de Vauban's heart (1633–1707), designer of Louis XIV's military fortifications.
• Pierre Auguste Roques (1856–1920), founder of the French Air Force and Minister of War in 1916.
• Philippe Leclerc de Hauteclocque (1902–1947), Marshal of France, hero of World War II, commander of the famous 2nd Armored Division.
• Jean de Lattre de Tassigny (1889–1952), Marshal of France, commander of the French First Army during World War II and later commander in the First Indochina War.The hearts of the following are interred in the vaults of Les Invalides while their bodies rest elsewhere:
• Jean Beryrand, lord of Senneric 1691
• General Jean Baptiste Kléber
• General Jean-Joseph Ange d'Hautpoul 1807
• Major general de Bisson 1811
• Major general Jean Baptiste Eblé (1813)
• Lieutenant general Baraguay d'Hilliers (1813)
• Marie Maurille de Sombreuil, countess of Villelume (1823)
• Lieutenant-general of Conchy (1823)
• Major general Négrier 1848
Works inspired or influenced by Les Invalides
• The present dome of the United States Capitol, designed by Thomas U. Walter, was inspired in part by the dome at Les Invalides. Both are "wedding-cake" style double-shelled domes with an oculus in the inner shell allowing those below to view a circular painting on the inner surface of the outer dome. The Capitol dome's architect Thomas U. Walter, had previously visited Les Invalides, and is said to have been struck by it.
• San Francisco City Hall Built in 1914-1915, opened in the latter year.
• The United States Naval Academy Chapel in Annapolis, Maryland USA, built 1904-1908, architect Ernest Flagg. The chapel was enlarged in 1940, changing it from a Greek cross to a Roman cross. The new section was designed by Philadelphia architect Paul Cret. John Paul Jones is buried in the crypt in a sarcophagus made of marble from the Pyrenees donated by the people of France.
• Panteón de los Héroes built in 1864 and finished in 1936. Cultural Patrimony of Asunción it's an oratory of the Assumption of Mary and inside it rest somsome of the greatest heroes of Paraguay like Francisco Solano López, José Félix Estigarribia and others. Designed by the Italian architect Alessandro Ravizza.

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